RKNet Blog... Thing

Admittedly, I’m an Internet n00b (does anyone even say that anymore?) Sure, I was chatting away with the best of ‘em on AOL in 1995, but it’s only within the last year (since I began work at an internet marketing company) that I’ve thought to embrace any browser other than Internet Explorer, any email client other than hotmail. I shudder to think that just a year ago, good ol’ IE held my hand while I traipsed naively through the interwebs, but, since then I feel I’ve taken strides, leaps, cross-country flights in the right direction; and today I’m proud to say that, Internet junkie or not, I am a bit of a Firefox whore.

I’m not web-developer. I can’t code (yet). I dabble in SEO but have barely scratched the surface. No, I’m just your average Internet user, and below is a list of the apps I like. Applications come and go, and I’ll admit, I try more than my fair-share. But, some add-ons stand their ground and prove useful and pleasant day in and day out– even, or perhaps especially, for the Internet n00b like me.

Interclue

Mouse over a link and, in the top right corner of the term an icon indicating the location appears. Wikipedia shows up as a small W, Newsweek as a red box with a white N, and so on. Mouse over this icon, and a window pops up where the contents of the link is displayed like its own separate page. It’s not just a preview. Most of the time the entire contents of the page will be given; a scroll bar down the right side if necessary.

There are actually several link-preview applications on Firefox, but I’ve found Interclue to be the least intrusive. Many pop-up with an unintentional mouse-over and stay-up, blocking half the page and contributing to my overall level of irritation (one that sits quietly in the background of my average workday.)

Cooliris

I love this photo and video viewer. Cooliris turns your browser into a 3-D screen for viewing photos, images and videos. From browsing a friend’s Facebook album, to searching for videos on you-tube, Cooliris is convenient, easy and fun to use. It also features a “discover” section, where images and videos of the latest news, sports, art and entertainment are posted. Click on the image and you’ll be taken directly to its source. Only one complaint: a right mouse-click won’t bring up the option to save the photo.

Twitterbar

Post to directly to Twitter from your address bar. Your 140 characters count down as you type, and a clicking a conveniently placed green arrow signifies you’re ready to post. The login window pops up to confirm so you don’t end up posting random urls every time you hit enter. Quick and easy!

Colorful Tabs

Simple and pretty. Colorful tabs makes each tab you bring up a different color. Nothing fancy, but a pleasant add-on that might help you organize your tabs while browsing.

Better Gmail 2

Better Gmail 2 is a fairly straightforward enhancement of the web-based mail client of the same name. The application offers new skins (my favorite is the Gmail redesign: complete redesign), file attachment icons and hierarchical labels.

So there you have it, the beloved apps of an internet newbie.

If someone reliable could tell me when in the future films would become solely based on finances it’d certainly save me the hassle of looking up articles on the Internet. If someone told me it would be next week I wouldn’t be shocked in the least since in it’s current state it’s just about at the point where it’s not about telling a story but a good way to rope in a few thousand people and scam them out of $10 because Will Smith pretends to act (I’ll get into that in just a moment.) As an up and coming independent film maker I have many issues of how things are dealt with in Hollyweird. To rattle of several quick ones — planning sequels months prior to the film’s release (it’s a half-cocked gesture mostly from the studios and regardless of how good you think it is or how profitable you believe it will become you must keep in mind the judgment of the public will have the real say), the MPAA and their rating system and advertising standards, 20th Century Fox (I’ll get into them later as well), studios pushing for PG-13 ratings for a wider audience (I don’t care what educational background you have but to try and make “Punisher: War Zone” PG-13 because “The Dark Knight” conveniently was and made a shit-ton of money doesn’t make it just. How can you make a man’s head exploding soft-core?), and painful “actors”. Let’s break it down, kids.

In case you haven’t noticed that for the last several years 20th Century Fox has prowled on modern celluloid like a drunk man in a bar or a 13 year-old white kid from Iowa who thinks he’s black, they think showing their cock will win affection. Wrong. Lately they’ve really been pouring gas on themselves. The bigger stunt recently is their lawsuit against Warner Bros. over upcoming comic book movie “Watchmen”. The studio claimed that Warner Bros. didn’t hold the rights to make the Alan Moore graphic novel or at least distribute the picture, never minding the fact that Warner Bros. owns DC Comics/Vertigo for which the graphic novel resides on.  So now they are currently in a legal battle to do either one of two things — make it so that Fox is the distributor (which can only mean they will ghastly edit the movie into a mind-numbing 90-minute feature that contains only the parts where there is fighting and shit blowing up with no intellectual transition) or to completely wipe the movie’s release date off the calendar completely, never releasing it. Though luckily given that the justice system moves about as fast as tree sap downhill in the winter the trial may not actually begin until January of 2009, a mere two months before it’s slated release date. Given that Fox has a tendency to shoot their wad like they know what they’re doing chances are (this is at least wishful thinking) the case will rule in Warner Bros.’s favor.

Another valid point that Fox has no idea what they are doing to tell a story visually is going around the creators to have it your way. This is unprofessional and also a dick move. One instance stated in the following article is on the upcoming “X-Men Origins: Wolverine” which tells the tale of how Wolverine came to be (Weapon X program, scrapes with Sabertooth, etc.) and needless to say a very dark tale which requires seemingly dark environments.  One such environment was changed without the director’s knowledge. What called for something “dark, dinghy and somber” was changed to something less depressing with lighter colors and cleaner textures. Now if in the correct fashion this can work in favor but unless you’re doing some “One Hour Photo”/”American Psycho” clean-looking thriller then you are a pussy of a film maker. Changing a set’s design to something more cheery (a colorful euphemism) is almost a denial of reality itself, thinking it can’t be this dark and disgusting when in truth it can be because it fucking is! You can’t cover a bald Kevin Spacey in Laffy Taffy and believe he just killed Brad Pitt’s girlfriend (if you can, please lower your dosage.)

Changing lanes here — YOU CAN’T PUT WILL SMITH IN EVERYTHING! Okay, chances are I’m blaspheming here but you know what I have to say this, why should I really give a shit about a movie because Will Smith is in it? Because conveniently 98% of the movies he’s done have raked in billions?  Will Smith isn’t that fantastic an actor. His barometer for character ranges from a good guy who says “fuck” a lot to a good guy who doesn’t say “fuck” at all. Occasionally he’ll mix it up and have the good guy be a bit of a dick or an arrogant douche but for the love of God just knock it off. It doesn’t matter how fantastic he seems you can’t cast him as “The Karate Kid” or Captain America, it’s wrong on every level imaginable to the sane. If I could ever afford his salary for a movie I’d have him play a serial killer who hardly speaks just to break the mold, and when he does speak it’s in a strange language. To help illustrate my point, whenever I see a movie that has Will Smith in it I know it’s Will Smith, I can’t believe he’s anyone else. I can believe Christian Bale as Bruce Wayne and Trent Reznik, I can believe Josh Hartnett as Slevin Kelevra and The Salesman, but you throw Will Smith into a role I’m gonna know it’s him regardless. Captain Hillard, Muhammad Ali, Jesus Christ, I’ll only think, “Oh, hey, Will Smith.” You may think I’m daft for uttering or even thinking such a thing but I’ve heard a similar tear about Christopher Walken and look at his fucking acting skills. (Inside joke: 111th biopic on Andy Warhol starring Chris Walken.)

A couple other mini-rants. If you’ve never been to Massachusetts or talked to someone from there for more than 20 minutes then it’s news to you that often people from their have a habit of shooting their mouth off. Mark Wahlberg is from Massachusetts, so for him saying that Max Payne could take down Batman in hand-to-hand combat makes sense coming from him but is ghastly offensive to the point where if I saw him in a pub I would shatter the closest bottle near me and jab it into his eye socket. First of all the two characters are miles apart, Payne wants revenge for his wife’s death while Bruce Wayne/Batman wants justice for them and others. And also dropping the obvious factor to play in, he’s fucking Batman. Imagine if you will a man standing before an expert martial artist who is performing a series of moves for intimidation and Joe Guy takes him down by jabbing him in the throat. And in the interview where he made this claim he mentioned it was strictly in the matter of fisticuffs, not the box office which shows even more delusion since if you’ve seen any previews for “Max Payne” you’d know that Fox has ruined another video game on the big screen. Well kids I’m putting out the ashes for now. My next piece will detail the new releases of Metallica’s “Death Magnetic” and Nine Inch Nails’ “The Slip”, and how the two contrast each other. See you on the other side, keep it sketchy.

=Sketch/Ed

Let me start by saying that this grouping is little more than a list of some of my favorite books. It in no way purports to be comprehensive in any sense, nor are the books presented in any particular order.

Many are distinctly Modern (I’m looking at you, Dave Eggers, Nicole Krauss and Lauren Slater). Others employ a favorite story-telling technique, Magical Realism, that I personally, can’t get enough of (thanks Toni Morrison, Salman Rushdie and Gabriel Garcia Marquez). Still others are included because they’re beautifully told, utterly unique or just plain cool.

A Heartbreaking Work of Staggering Genius (Dave Eggers)
Eggers’ first novel is part memoir, part fiction and all modern. This book is bigger than itself. Eggers’ wildly experimental prose, self-conscious narrative and sheer humanity make this one of my all time favorites. The story details his family’s struggle to adjust to the death of both their father and mother in the span of just 32 days- yet much of the book is sheer fantasy and Eggers takes creative liberties in calling this story a “memoir.” (See “Lying: Lauren Slater, below) I would highly recommend this book to aspiring writers.

100 Years of Solitude (Gabriel Garcia Marquez)
A legend in and of itself, this book traces the lineage of a family in a small, supposedly South American town “on the edge of nowhere.” Employing some stunning examples of Magical Realism, a literary technique that has one character literally being drawn into the sky never to return, Marquez’ style is resonant of a fairy-tale so that the impossible is readily, even eagerly accepted. The opening line alone speaks volumes about the way this book hooks you: “Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice.”

Song of Solomon (Toni Morrison)
Morrison needs little introduction on my part, and I had a difficult time choosing just one of her novels to highlight. However, Song of Solomon, to me, is perhaps her most experimental yet down-to-earth story to date. The story is a part coming-of-age, part alamentation of the lasting effects of slavery and part an examination of love, in all its strange and often distorted manifestations. Oh, and you’ll find some gorgeous instances of magical realism thrown in there for good measure as well.

Midnight’s Children (Salman Rushdie)
Hilarious, beautifully written, and impeccably structured, Rushdie constantly teases and tests his readers. The story, which traces a young man, Saleem, and his family as he grows up during India’s independence movement has been called a metaphor for the growth, and coming of age, of the country. Rushdie is truly a unique voice and Midnight’s Children is unabashedly accessible.

The History of Love (Nicole Krauss) 2005
A beautifully understated story with distinctly modernist leanings, The History of Love braids together the lives of three characters inextricably, yet distantly tied to each other: Leo, an old man who fears he is disappearing; Alma, a young girl on a quest to find happiness for her withdrawn mother; and Litvinoff, a mysterious and brooding Chilean man from another time. The History of Love truly stuns with some of it’s passages, one in particular stays with me:

“The first language humans had was gestures. There was nothing primitive about this language that flowed from people’s hands, nothing we say now that could not be said in the endless array of movements possible with the fine bones of the fingers and wrists. The gestures were complex and subtle, involving a delicacy of motion that has since been lost completely…”

The Unbearable Lightness of Being (Milan Kundera)
Perhaps a bit pretentious, this work of modern/post-modern fiction examines the insignificance of each and every one of us through a couple and their various infidelities. Uplifting, no? While it’s fair to say that not much actually *happens* in The Unbearable Lightness of Being, so much is said. Kundera believes this “lightness” (our insignificance) to be somewhat wrenching. I myself find it a bit liberating. Whether or not you enjoy the story, Kundera’s structure and prose make this piece worth reading, and the points it raises might send you on a philosophical quest of your own.

The Ear, the Eye and the Arm (Nancy Farmer)
I’m biased because this was a childhood favorite. Set in Zimbabwe in the year 2194, this story follows three royal youths through the various underbellies, subcultures and cults they encounter after they’ve been kidnapped. Three detectives with genetic deformities (super sensitive ears; excessively perceptive eyes and the third with a sense of empathy that often causes him to break down in tears) are assigned to find the children. Yes, it’s science fiction. Yes, it’s a children’s book. Yes, it’s worth reading. Take it to the beach!

The Darling (Russell Banks)
Russell Banks is a beautiful storyteller with the unique ability to put himself in the shoes, and heart, of almost anyone. The Darling is the story of Dawn/Hannah, a middle-aged woman whose rebellious past led her into the depths of Liberia where she experienced all manner of horror and beauty. A striking story told with the fresh rawness of a new wound, passages from the Darling will haunt you for years after you put it down.

Ulysses (James Joyce)
Read this book just to say you did it. Ulysses is an epic novel, yet spans just one day in the life of its protagonist, Leopold Bloom. Some say the book is pure genius. Others denigrate it as over-hyped fluff. Personally, I’d need to read it about five more times to make a fair assessment… But one thing is certain: Joyce went places with Ulysses (which was banned in the United States for obscenity in 1933) that few writers had gone before, and few have gone since. From his topical choices to his stylistic ones, Joyce has a voice and character all his own.

Lying: A Metaphorical Memoir (Lauren Slater)
This book will change the way you think of the term “memoir.” Slater challenges the concepts of truth, its contexts and even its very existence at the core of the human experience. Beautifully written and constructed with a modern twist, Lying has been called “metaphorical memoir,” (though she begs throughout to be understood as non-fiction.) This book continues to frustrate and enchant me, yet Slater’s beautiful prose and (here it is again) modernist tendencies keep me coming back for second, third and fourth readings.

Honorable Mention:
The Angel on the Roof (a collection of short stories by Russell Banks), How We are Hungry (a collection of short stories by Dave Eggers), What is the What (a creative non-fiction account of the life of one of Sudan’s Lost Boys, as told to and expanded upon by none other than Dave Eggers)

Note: If my liberal use of terms like “modernism” and “magical realism” annoyed or offended you, please see my upcoming post detailing these literary techniques and my interpretation of them. Until then, click the links, fool! Modernism - Magical Realism

That is not dead which can eternal lie,
And with strange aeons even death may die.

Something I have learned over the past decade is that every investigative hero requires the correct and proper equipment. One thing they require is a sensible bag to store manuscripts and treasures in. Indiana Jones had his modified gas mask bag. Dean Corso from “The Ninth Gate” had his canvas satchel. Spider Jerusalem had his leather book bag. Currently I use a Megatokyo bag shoulder bag or a Burton snowboarding rucksack depending on what I’m doing. Both have served me well and see many wonderful sights. When I was first exposed to the Mythos I don’t know what my bag was. I would have been at school and just started doing my GCSEs. I believe that I used a cheap nasty messenger bag at the time.

My first exposure to the Cthulhu Mythos was rather appropriately took place outside of a library. Somehow talk drifted to the Necronomicon. A goth kid from the sixth form had bought a copy of it into school. “This is a famous book of occult bad ass,” was how it was described to me. No word or mention of Mr Lovecraft or of the books fictional origins. Sadly for my fifteen year old self a little research soon uncovered the books falseness.

Many people though still think that the Necronomicon is a real book. The copy that the acquaintance in the sixth form had was undoubtedly now a copy of the Simon Necronomicon. But first the fictional history of the book.

First mention of the book appears in the 1921 story “The Hound” (published 1924) as a book written by the “Mad Arab” Abdul Alhazred who was mentioned in a story written one year earlier called “The Nameless City”. The Necronomicon itself is mentioned in no less then five of Lovecraft’s Mythos stories. With references made to the tome in “At the Mountains of Madness” and “The Case of Charles Dexter Ward” among other stories.

In the 1921 story “The Nameless City” the rhyming couplet by Abdul Alhazred is given at two points in the text. This couplet appears in “The Call of Cthulhu” from 1928, it is identified as a quotation from the Necronomicon. The couplet is the one at the top of the essay. Some description of the text is given in “The Dunwich Horror” with the book being often described as bound in leather and having metal clasps to keep the large book’s pages safe from damage.

The authenticity of the Necronomicon has been in question since the time of Lovecraft with the author often being asked about the book. His answer was always that it was an invention of his own. In a letter to letter to Robert Bloch in July 1933 he clearly writes: “As for the “Necronomicon”—this month’s triple use of such allusions is bringing me in an unusual number of inquiries concerning the real nature & obtainability of Alhazred’s, Eibon’s, & von Junzt’s works. In each case I am frankly confessing the fakery involved.”

But still rumors of the books authenticity persist. These rumors helped by various differing editions of the Necronomicon being published in the years since Lovecrafts death. One of these the Simon Necronomicon mentioned above was released in 1977 by Schlangekraft, Inc. in a limited edition of 666. The book was later released in paperback and has never been out of print since. Unfortunately I’ve never read the Simon Necronomicon. So I can only give a quick digest of the information on Wikipedia. But it might be of interest if anyone wants to read further into the subject after.

The book claims in it’s introduction that it is a translation of the Greek Necronomicon. The content of the book is mostly based on Sumerian mythology with attempts to tie various entities in Mesopotamian mythology to correspondent entities in Lovecraft’s Mythos. Eh, what else is there to say? It’s black magic bullshit with curses and summons written in a mix of English and ancient Sumerian. With warnings all over the book claiming it’s danger. The back cover saying that this book is “the most potent and potentially, the most dangerous Black Book know to the Western world.”

Whatever the truth is and I suspect that the truth is fictional. The Necronomicon has a place in pop culture like no other book. With references to the book appearing in the Evil Dead film series, web comic Megatokyo and Terry Pratchett’s Discworld book “Moving Pictures”.

Will.

Next a journey into the occult underground of The Invisibles and Chaos Magic.

Pages of obvious interest:

The H.P. Lovecraft.com page about the Necronomicon, contains further information about the Necronomicon.

My awesome Lorem Ipsum shirt provided by TeeFury, makers of fine, rare designer tshirts.

First off, it was great to see everybody again! I had missed the last two Media Makers events and kicked myself pretty hard both times. Thanks to my cat and the fact that I have a memory like a (rusted) steel trap, I was able to make it out to Newmarket in time to schmooze a little before everything got started.

Everybody is really busy! I took some general notes on each person and everybody had something fun or interesting to share.

UnclePhilms -

• Talked about film projects he’s working on, stuff in conjunction with NewtonStudios.com and BostonFilms.com (bostonfilms.com links to a weird page about internet connection sharing??) - Zerk.tv
• Mentioned that he is scoring a film (horror film I think it was).

Bryan White of Cinema Suicide -

• Launched Soundtrack Apocalisse, featuring soundtrack reviews. Apocalisse is Italian for apocalypse! Neat!
• He’s got tshirts for Cinema Suicide now! They’re really cool looking, done in fake movie poster style, with Cinema Suicide’s URL on them. Go get one now so you can say you were in at the ground floor.
• Quoted by Ghost Adventures, who will soon be putting out a DVD (which may or may not contain some of those CS group quotes). (Correct me if I’m citing the wrong Ghost Adventures group.)
• He mentioned gearing up to do a documentary about the less-than-savory history of Portsmouth, NH and doing some paranormal investigation to coincide with the area. Talked about a lot of really interesting history surrounding Portsmouth. Things I’d never heard before like all the old aqueduct work that has survived, and the old tunnels under the city surviving from old military installations. It sounds like there are a lot of really fascinating subjects he could cover in a Portsmouth documentary and I look forward to hearing way more about it.
• Cinema Suicide got covered by local entertainment paper: The Wire. The story is mentioned on the front page, so if you see a copy, go grab it!

Newcomers! Rob Jaques and Shawn Lampron.

• Rob is a writer, a musician and photographer. He’s got a pretty awesome flickr profile at santaplausible (which is a name I just absolutely love, by the way). He’s looking to collaborate and learn more about cool stuff to do on the internet.
• Shawn is a writer and I believe he said he’s also done some teaching. He’s interested in getting involved in more media and web-based projects.

Chris Clark of GeekForceFive -

• He’s got a book out! Congratulations! It’s called Those Little Bastards and it is available for sale through echristopherclark.com.
• Over at GeekForceFive, he experimented with adding a Question of the Day to a video post he did regarding his recent NIN concert experience. This got some of the best feedback he’s seen yet, and he is considering making Question of the Day a regular feature on GFF. Sounds like a terrific idea and I hope he keeps us posted!
• He’s also forging a community area for GFF at geekforcefive.ning.com - ning.com being a resource for people who want to take a sort of plug-and-play approach to social networking/community sites.

Leslie Poston -

• She’s doing some authoring over at TechnoSailor.com, a tech, business, and new media site.
• Got BIG plans for the upcoming SXSW, trying to get a panel together on “Can social media save the world?” and is looking for support to get this exciting concept off the launchpad and into the conference. The idea behind this panel was inspired by her recent experiences at PodCamp Boston.
• Got a site going called UptownUncorked.com, which has a neat wine glass shape going on with the first U that I think is really neat and would totally like to see develop more as a concept.
• Recently attended a Mashable event in Boston. Also mentioned that she’s a frequent attendee of Boston. Any Media Maker folks who are interested in Boston events should probably contact her for info on carpooling and so forth.
• She’s working with a site called Blorge.com who is also doing some hiring right now.

Deb Mcnally -

• I finally got to meet @debdebtig! I’ve been following her for a while on Twitter because she’s a locally active person. It’s nice to be able to put a face to a name like that.
• Deb is a tech communicator (all types of media, not just writing), as well as a local farmer!
• She’s got nheggs.blogspot.com and will be branching that out to include an official site (NHeggs.com) as well as adding some web service profiles for her chickens, giving people a day-in-the-life look into what it’s like to be a hen on the farm.
• Anecdotally - Back-in-the-day, her husband ran the largest BBS in southern New Hampshire! How cool is that? I myself didn’t spend much time on the internet during the BBS days, I spent more time trying to stay up late playing Shining Force on the Sega channel without getting caught. :3

Nick Plante aka ZapNap -

• He’s also written a book! It’s called Practical Rails Plugins and it’s currently available for pre-order on Amazon. It’s pretty exciting to have published authors in our midst.
• For anyone who doesn’t know, Nick is a freelance developer, working primarily with Ruby on Rails, but is awesome enough to provide services above and beyond that as duty calls.
• He’s also been involved with a zine called ink19, which as I understand it started life as a paper zine and has since evolved some digital tentacles to better propel itself through the cultural miasma that is the internet. The primary focus of ink19 is music, but they cover other fun stuff like movies, television and various other exciting whatnots.
• Nick has a dream! A dream in which it is much easier for people to read and distribute webcomics. That’s a really awesome dream. One which we can probably all get behind.
• Sub-question: Should we do a group event to brainstorm all the possible features and needs of a webcomic reader/distro system? Could be a really entertaining and worthwhile project, and could ultimately unseat things like WordPress when it comes to web comic creation and distribution! (and how boss monster would that be? pfft. very.)

Brian Turnbull -

• Another newcomer, and recent transplant from Chi-town (Chicago). He’s a professional photographer and has recently collaborated with ZapNap.
• Brian and Nick worked with a client to very recently launch Razume.com, a site in which people can have their resumes reviewed by their peers (and probably also by hiring professionals!).
• He took photos of this month’s NHMM which are already up. Why do I always get caught making the most awkward faces?!
• He’s done some photography work for various big band jazz groups, including album art for the Stone/Bratt Big Band.

John Herman -

• Gravityland season two is in the works! More people are getting interested in the project, so the second season could get really intense.
• He’s also working away on a pilot for an HD webisodic show called Thomas in Wonkyland. The premise came about at an improv event a while back, and some of those same players are coming back to work on this concept. It sounds absolutely hilarious and I can’t wait to see it!
• John recently helped his wife make a 1 minute movie for a film festival called le 60, a bunch of 1 minute movies to be shown in Boston in mid-September. He shared with us a really inspiring story about how he contacted a musician in Germany that he really admired, and was able to get some unique music for the project from that communication. Very cool. Incidentally: le 60 is accepting submissions through August 15th, so there is still time to participate in this project/contest.

Jill Silos -

• Jill is an author and cultural historian who works with grad students at UNH, as well as other local college-level students in the area.
• She is working on a book called Everybody Get Together: The Politics of the Counterculture. The book in project form won an award back in 2005, and I think it’s safe to say everyone in the group was very interested in the finished product when it’s ready for release.
• She’s learning to play guitar and apparently does a pretty mean D minor, but is still looking for tips on how to transition between chords.

As for myself, I talked a little bit about exciting new developments at work, and a few of my ideas for RKNet.

• RKNet will be featuring content from paid bloggers. I am still taking inquiries about this, although I have had several interested parties contact me already. Email giania [at] gmail.com if you wish to get more info about the program.
• The purpose of the paid blogging program is to free me up to do the following: redo the RKNet template, develop really cool merch ideas, strengthen affiliate relations. Eventually I want RKNet to be something like boingboing without the awkward lesbian “unpublishing” drama. Baby steps.
• Chris had a really terrific merchandise idea for RKNet, develop “random kitty” plush toys, literal random kitties, probably small batch or one-off items to keep things interesting, and cement their status as collectors items.
• I talked briefly about an idea I had to create a site to specialize in supporting local farmers and local farmers’ markets by providing a centralized site catering to their needs. Deb let me know that in her experience it’s actually pretty difficult to keep up with the normal demand, much less deal with greater exposure. I’d love to work with some people on this concept, to come up with a variety of ideas on how a site like this could help the most people, and maybe make some money.
• Some things I neglected to mention:
• I’ve got a soup! giania.soup.io it’s a kind of micro-blogging, tumblr sort of service. It’s lots of fun and allows for quick sharing of some of your favorite (or least favorite) items on the internet.
• I attended the Boston-based An Event Apart conference. I have transcribed some of my notes, but there’s still a lot left to put up. Stay tuned.
• I mentioned a friend’s ninja doll project but forgot the URL ( ninja-dolls.com DUH), also posted the URL in the comments at the NH Media Makers blog.
• As mentioned gingerly so as not to offend the nice people at Crackskulls, I am a HUGE fan of Dover’s newest coffee shop, Adelle’s. As we get more people at NH MM, we may run out of room at Crackskulls. I spoke briefly with one of the people who works at Adelle’s and it sounds like they might be interested in hosting an event like ours. I believe they have wifi there, and I’m working on getting them their own website so news/events can be posted there also. I’m really dying to try one of their bacon cheddar scones.

Don’t forget to visit the official NH Media Makers blog and check out all the notes John put up, as well as all the comments and follwups from the attendees!

The bathroom was a terrible place to be. All the stall doors were slightly ajar and the terrible placement of the typical office fluorescent lighting gave the shadows life that they certainly wouldn’t have possessed on their own. I kept turning back in terror from what I assumed was a malevolent face in the handicapped stall. The wall by the sink provided me something to look at to occupy my mind, but this too became a source of vile fascination. Whether the talk was all in my mind or if there was someone there I do not know. Kindly and reassuring it spoke to me of demons, and angels, and paths to power sometimes being fraught with dangerous-looking things. There was no need to worry though of course, not if you were prepared.
Read the rest of this entry »

NotCot.org strikes again. This morning they posted a blurb about a book called Fifty Designers’ Current Favourite Typefaces. The book only costs 3£ and 100% of that 3 pounds goes directly to UNICEF to help aid victims - specifically the children - of the cyclone which happened in Myanmar (aka Burma) this past May.

It is put out by a design firm in the UK called Create / Reject. You may order the book directly from their website. There are photos of the interior of the book, as well as a list of all the designers who got involved. I can think of no more enjoyable way to lend a helping hand.

Day one was fraught with challenges, up to and including having trouble finding the venue. It took a lot of wandering around, a phone call, and I think two concierge desk stops to finally figure out that the Copley Plaza Marriott was in fact through the Copley Plaza Westin and the attached mall. That said, on with the notes.

Session 1: Understanding Web Design - Jeffrey Zeldman

• Missed this session entirely. :(

Session 2: Lessons of CSS Frameworks - Eric Meyer

• Missed over half of this session. :( I blame Mass traffic.
• Hits on server vs. File size. The more hits to the server, the slower the load times. File size isn’t nearly as much of an issue.
• IE(6) does not cache 2nd tier stylesheets. (stylesheets linked from within other stylesheets)
• IE6 wants nothing to do with your fancy link styling. Don’t rely on it to convey critical information if you think you’ll have a significant amount of IE6 visitors. (Know your audience!)
• Mobile phones probably can’t handle your stylesheet (iPhone notably excepted from this guideline).
• create a grid or layout background to use for debugging.
• Create a debugging stylesheet that replaces more subtle elements with large, bold colors to see exactly how your major elements line up.
• Set default colors in the body of the document to override any CSS weirdness or absence.
• Try to avoid measurements in pixels. Percentage or EM will provide better usability and cross-browser support.
• Create a framework file. This is a totally empty stylesheet, containing only elements, classes and ids, as well as comments explaining the general purpose of each. This provides the framework for others to understand your work, and gives you a blank to start from in future work.
• Maintain clean, logical naming conventions. Don’t use .RedBigText use .Header or .CallToAction. This way if you have to make this class perform a function other than red, big text you can make those changes while maintaining your markup.

Session 3: Good Design Ain’t Easy - Jason Santa Maria (turned 30! Happy Birthday!)

• Look to be different. Be familiar with popular box models & learn what you can do to separate yourself from them.
• Print != the web. (!= is does not equal for those who aren’t familiar) Therefore, instead of innovating based on standards of print, we must look to usability standards and concepts to build a better (mousetrap) website.
• Design reinforces your message.
• Design fills in where content leaves off to create impressions.
• Referenced the storytelling power of a mostly visual chart of Napoleon’s progress.
• Pacing must be capable of including all pertinent info. Editor’s Note: I don’t remember what I meant by this note.
• Design must account for flexibility, changes, functions
• Design must be able to demonstrate depth, or give the visitor confidence that they can navigate comfortably.
• Design for your audience, not just to fit your box model.
• Take advantage of the medium, learn to apply the tech to its fullest.
• Plan before you do, and make stylesheets accordingly flexible
• Level of design intricacy hinges largely on the type of content it is meant to showcase and support.
• “Design can’t not communicate.” - David Carson, Helvetica
• The Golden Rule or other ratio is a handy reference for balancing a box model.
• Links:
• A Brief Message
• Fray
• Principles of Beautiful Web Design
• No One Belongs Here More Than You
• We Tell Stories
• “You can have it in any color you want, as long as it’s black.” - Henry Ford regarding the Model T
• Art direction should apply to the web also.
• Evaluate the saclability of unique content art direction (i.e. serious differences between pages, breaking from one standard template between pages).
• Marry your design to your code.

Session 4: Web Application Hierarchy - Luke Wroblewski

• You have approximately 1.6 seconds to make an impression on a first time visitor.
• References Steve Krug’s excellent book Don’t Make Me Think in regards to illustrating how we use the web. We don’t read. We track around the web looking for the next thing to get us to our intended informational goal.
• Great presentation on the web is comprised of a balance between information and emotion, or Visual Organization and Personality.
• Organize things in ways people can relate to. For example, organizing information in a customer lookup system like a rolodex.
• What’s front and center is critical
• Presentation should follow desired function
• Downplay non-critical information
• Create context by applying contrast, placement and seperation
• Consider the color scheme. Contrasting colors attract attention.
• Make uniquely important items distinct from the remainder of the page.
• Focus on your use of labels, whitespace, and the scanability of your page.
• Proximity of items, similarity of items, and pattern of items dictate how noticable they are.
• The more differences between neighboring items, the higher the contrast and the more likely a visitor is to focus on it.
• Orchestrate the distribution of visual weight (what’s most noticable to what’s least noticable) to influence user experience.
• Avoid too many “look at me!” items as it creates confusion.
• Avoid too few “look at me!” items as it leads to disinterest
• Information should not be distributed via firehose
• Be aware of how people access and use your site. Or how it is intended to be used at least. These factors inform how the hierarchy of information should be structured.
• Consider how people find you and what you want them to do when they get there.
• People come to your site for some kind of content. Don’t let the overhead (structural elements of your website, other navigation, etc) overwhelm that content. Give the people what they want.
• Visually prioritize the actions you want or need people to take
• Strive for a clear, logical flow of information using visual cues and standardization of content. (Hint: Centering text is very unhelpful when trying to achieve this logical flow.
• Consider your overall signal to noise ratio when displaying lots of information. Too much contrast and the data gets overwhelmed. Too little and the data itself is overwhelming.
• Luke’s site: Lukew.com

And then it was lunchtime! Will talk more about that when I get around to my travel log post. I’ll have the rest of day one in a seperate post, so keep your eyes open, and if you aren’t already subscribed to the RSS feed, by all means hit the GIANT PURPLE BOX at the top of the site to do so. :)

Lately I’ve gotten a really strong urge to learn how to screenprint, or silk screen as it’s also called. I’ve done some reading online, with MAKE/CRAFT magazine being particularly helpful. Still, as excited as I was I didn’t feel like I had quite enough information to really jump in and start buying screens and emulsion and inks.

Earlier, NotCot.org posted a link to a new book about screenprinting, called The Screen Printing Primer by Nick Paparone, Jamie Dillon. You can buy a signed copy directly from PrintLiberation.com for $25. Amazon also sells the book (unsigned) for about $16.

Print Liberation has some really pretty designs up on the site, featuring a lot of really elegant uses of typography. The book contains a few transparencies put together by them for people inspired by the book to get out there and do some experimenting right away, without worrying about the first big hurdle: what design could I come up with to print?

I’m really excited about this book. While it does take a little time, investment, and space to get started, I think that learning about the principles and the history could be a lot of fun and provide alternative ways to apply screenprinting that can be achieved without needing a whole big setup. But then again with some creative shopping and recycling, I’m sure there are ways to get around those issues, too.

Let me preface this with the following: I love my job. I love the company where I work. But, full disclosure, I also cannot stand where I work sometimes. It’s a battle of the heart and mind every single day, and for the most part I would not have it any other way. We’re a young bunch, and an energetic bunch, and a painfully disorganized bunch on top of it. Everybody’s got fantastic ideas and everybody’s got to share them right away. Add on top of that the propensity for errors to happen in a tech-based company and you’ve got a stewpot of frustrated, disorganized, and passionate people all aiming for the same goals but rarely realizing them in a truly rewarding way. In truth, we all get a lot accomplished. I work with some really amazing people. Unfortunately circumstances set it up so that we rarely feel accomplished and absolutely can’t track what’s been done versus what needs to be done.

With that in mind, and for my own health (quite literally), I have been intently researching how we can be more organized as individuals and subsequently as a team. It’s going to take a lot of work but I’m determined to help myself and my co-workers to be happier. Happier because we know what we have to do, we know what we’ve done, and we know that we can keep going without the anxiety of forgotten priorities and missed deadlines.

One of the most highly praised and best supported systems or philosophies of organization that I have come across thus far is David Allen’s GTD. I recently picked up a copy of Getting Things Done, written by David Allen to introduce people to his researched and tested methods of personal organization, and I’ve been doing voracious online reading of articles by people who have implemented this methodology already and have come up with favorite ways to do things. Slowly but surely I’m trying to integrate things into my thought processes and into my daily habits. I feel as though just keeping in mind the need to write things down, and to refer to a system or set place for these notes is the first step to getting into the habit of being organized. So far so good, too, I already feel a little bit better about my day-to-day, I’ve already kept a few situations under control which otherwise would have been forgotten or stressful. Still, I know I’ve only scratched the surface. GTD might not be the be-all-end-all of organization techniques, but I feel like it’s a good place to start for a number of reasons. The concepts and habits are simple. It works in a digital or paper environment. It seems like something that’s easy to instruct others in, which will be important if I’m going to help my co-workers get organized.

All-in-all I feel like this current path is really promising, and I look forward to sharing my insights with you all as I get better acquainted with this method of doing things.