RKNet Blog... Thing

That is not dead which can eternal lie,
And with strange aeons even death may die.

Something I have learned over the past decade is that every investigative hero requires the correct and proper equipment. One thing they require is a sensible bag to store manuscripts and treasures in. Indiana Jones had his modified gas mask bag. Dean Corso from “The Ninth Gate” had his canvas satchel. Spider Jerusalem had his leather book bag. Currently I use a Megatokyo bag shoulder bag or a Burton snowboarding rucksack depending on what I’m doing. Both have served me well and see many wonderful sights. When I was first exposed to the Mythos I don’t know what my bag was. I would have been at school and just started doing my GCSEs. I believe that I used a cheap nasty messenger bag at the time.

My first exposure to the Cthulhu Mythos was rather appropriately took place outside of a library. Somehow talk drifted to the Necronomicon. A goth kid from the sixth form had bought a copy of it into school. “This is a famous book of occult bad ass,” was how it was described to me. No word or mention of Mr Lovecraft or of the books fictional origins. Sadly for my fifteen year old self a little research soon uncovered the books falseness.

Many people though still think that the Necronomicon is a real book. The copy that the acquaintance in the sixth form had was undoubtedly now a copy of the Simon Necronomicon. But first the fictional history of the book.

First mention of the book appears in the 1921 story “The Hound” (published 1924) as a book written by the “Mad Arab” Abdul Alhazred who was mentioned in a story written one year earlier called “The Nameless City”. The Necronomicon itself is mentioned in no less then five of Lovecraft’s Mythos stories. With references made to the tome in “At the Mountains of Madness” and “The Case of Charles Dexter Ward” among other stories.

In the 1921 story “The Nameless City” the rhyming couplet by Abdul Alhazred is given at two points in the text. This couplet appears in “The Call of Cthulhu” from 1928, it is identified as a quotation from the Necronomicon. The couplet is the one at the top of the essay. Some description of the text is given in “The Dunwich Horror” with the book being often described as bound in leather and having metal clasps to keep the large book’s pages safe from damage.

The authenticity of the Necronomicon has been in question since the time of Lovecraft with the author often being asked about the book. His answer was always that it was an invention of his own. In a letter to letter to Robert Bloch in July 1933 he clearly writes: “As for the “Necronomicon”—this month’s triple use of such allusions is bringing me in an unusual number of inquiries concerning the real nature & obtainability of Alhazred’s, Eibon’s, & von Junzt’s works. In each case I am frankly confessing the fakery involved.”

But still rumors of the books authenticity persist. These rumors helped by various differing editions of the Necronomicon being published in the years since Lovecrafts death. One of these the Simon Necronomicon mentioned above was released in 1977 by Schlangekraft, Inc. in a limited edition of 666. The book was later released in paperback and has never been out of print since. Unfortunately I’ve never read the Simon Necronomicon. So I can only give a quick digest of the information on Wikipedia. But it might be of interest if anyone wants to read further into the subject after.

The book claims in it’s introduction that it is a translation of the Greek Necronomicon. The content of the book is mostly based on Sumerian mythology with attempts to tie various entities in Mesopotamian mythology to correspondent entities in Lovecraft’s Mythos. Eh, what else is there to say? It’s black magic bullshit with curses and summons written in a mix of English and ancient Sumerian. With warnings all over the book claiming it’s danger. The back cover saying that this book is “the most potent and potentially, the most dangerous Black Book know to the Western world.”

Whatever the truth is and I suspect that the truth is fictional. The Necronomicon has a place in pop culture like no other book. With references to the book appearing in the Evil Dead film series, web comic Megatokyo and Terry Pratchett’s Discworld book “Moving Pictures”.

Will.

Next a journey into the occult underground of The Invisibles and Chaos Magic.

Pages of obvious interest:

The H.P. Lovecraft.com page about the Necronomicon, contains further information about the Necronomicon.

Yes, once again our first-ever contest, the Design-a-Vagina Contest (Redux), has come to a close. The results are already in and those results may be expressed with the following image.

If you can’t read that, and I don’t blame you if you can’t, it says “This Page Intentionally Left Blank” - which is to say that the second iteration of the Design-a-Vagina contest has come and gone without an entry. As such, I am somewhat grateful as it means I don’t have to shell out upwards of $150 on prizes, but I am also disappointed that I could not help the woman from North One who had encouraged me to rerun the contest in the hopes of fostering discussion on modern women’s body image issues.

Which is a subject that has been touched upon before by yours truly, although never really discussed outside of that post and mentions as part of the contest. Fun, games, and fabulous un-won prizes aside, are there any issues regarding elective cosmetic surgery and women’s body issues that anyone would like to talk about? If so, we would love to hear from you. No issues can be fixed or even identified unless they are understood, and understanding requires communication.

Friends of RKNet may recall our first attempt at a contest, the Design-a-Vagina contest. Friends of RKNet may also recall that the contest, minus Dr. Hypercube’s brilliant concept submission was a spectacular failure.

Perhaps the contest was simply too ahead of its time, perhaps it was simply released from the nest before it was truly ready to take to the skies. Whatever the case, the concept behind the contest did not go entirely unnoticed. I received a very positive communication from a woman from North One Television, who wrote in the hopes of finding out the results of the previous contest.

It was with great regret that I had to inform her that no results were posted on the site… because there weren’t any results to post!

However, every day is another opportunity to turn things around. A documentary is being produced called “The Vagina Dialogues”. In the interest of reaching more people and getting people’s opinions on what the “visually ideal” vulva is like and people’s opinions on the things people do to achieve that ideal, we will be posting the details of the new, improved Design-a-Vagina contest very soon. Changes will include a more cohesive, thoughtful theme, and the presence of real prizes this time. Suggestions for prizes are welcome. In addition to submission-based prizes, we are also considering promotion-based prizes. (Suggestions for this portion are welcome also.)

Details on the documentary are below for those interested in getting a jump start on considering the overall theme of the contest.

In the last 5 years more and more women are choosing to have both aesthetic and reconstructive surgery. Surgeries such as vaginal tightening, labiaplasty and vaginal rejuvenation are being performed in NHS hospitals and in numerous private clinics around the country and this documentary aims to understand why women are becoming so concerned about the way they look and feel down there that they are resorting to plastic surgery.

Over the next few months our presenter will meet a number of people with differing views about vaginas – ranging from medical experts to mums and teenagers. She will look into how sex education is taught in schools, how men feel about women’s vulvas, how different cultures feel about vaginas and how over the past 20 years women’s perceptions of their bodies appears to have changed so dramatically - surely our grandmothers would never have considered having genital surgery?

We are very keen to address the issues that still remain taboo and make vagina-related topics not something to dismiss and laugh about, but a part of the body to understand, appreciate and admire.