Because I love you all so dearly, gentle readers, I have put together another mixwit tape for your enjoyment. In this installement I share with you a variety of delightful mashups. What is a mashup, you may ask? Something akin to a remix, but in this case more focused on taking two (sometimes more) songs and melding them together in such a way that you’d never want to hear them any other way. Generally speaking, this mix is intended to at least get you chair dancing, if not full out dancing your ass off. Three from A plus D, three from Instamatic, three from DJ Lobsterdust.
A plus D - Love Will Tear You Apart (She Wants Revenge vs. Joy Division vs. Bauhaus)
Not much to say about this one. Consider it an appetizer for what A plus D has to offer.
A plus D - Sexy Peek-A-Boo (I’m Bringing Siouxsie Back) Justin Timberlake vs. Siouxie & The Banshees
Ordinarily I’d have nothing to do with Justin Timberlake. I really don’t go in for “pop” music. This changes things a lot. Trust me. Also, accordian.
A plus D - Don’t Stop Believin’ In Planet Rock (Journey vs. Afrika Bambaataa)
Journey never had so much funk. Nor did they expect to have it. Yet… it feels so right.
Instamatic - Crazy Marvin (Gnarls Barkley vs. Marvin Gaye)
That song you couldn’t get away from meets a soul master for a refreshing look at both.
Instamatic - Electric Loop (Judas Priest vs. Pendulum)
Chosen mostly for the liberal Willy Wonka (original film thankyouverymuch) sampling, in all honesty. Fast-paced and fun.
Instamatic - Ghetto Tits 2006 (Benassi mix of Outkast vs. Peaches vs. Scissor Sisters)
This is mostly Peaches, and therefore has liberal use of various sexually charged terms some folks consider foul. NSFW I guess. Probably my fav of the Instamatic remixes.
When they call this an allstar jam they aren’t at all kidding. This is my favorite mashup of all time. Just listen. The transitions are masterful, the songs flow like an undeniable force of nature, and I pretty much guarantee you’ll smile at least a little.
DJ Lobsterdust - RightNowRightNow (Beastie Boys - Love Psychedelico)
I think if the Beastie Boys had met Hot Chip, or hung out with the guys hacking their C64 to make chip tunes they might have made something like this on their own.
DJ Lobsterdust - Glass Octopus (The Beatles vs. Blondie)
This may be the most approachable mashup for people who don’t really care for hip hop or techno or dance-oriented music. It’s Blondie’s Heart of Glass mixed with The Beatles’ Octopus’s Garden in a really fun, natural way. Still got a great beat for those who do enjoy a good excuse to dance.
That’s all for now! I hope you have as much fun with this as I have!
Image on the tape is art from P. Robertson’s Kings of Power 4 Billion %. Download it. Watch it. He’s great.
This guy is AWESOME! Amy might not agree (and my apologies for ganking your series title for this) but I have to say that this is some of the most amusing and amazing nerd rap I’ve heard in a while. Why is it nerd rap? Well, watch for yourself.
Ignoring his awkward posing, this is by far the best lyrical treatment I could think of to describe the role of design in SEO. Everything he puts forth here is exactly correct, from clear navigation, use of standards, browser testing, and a clear call to action.
The SEO Rapper has it right, and even though you may feel like this is perhaps in the same league as the anti-drug rapping of the 80s-90s (yo yo, kids don’t do drugs, stay in schoo’, be respec-ful of your parents, ’cause no one likes a fool!), those who are new to the whole “SEO” thing might want to pay attention. For those who have had an education on the subject already, you’ll definitely get a kick out of this approach to the core concepts of search marketing.
Props to antifuchs in #ectomo for pointing this out to me.
I just signed up for Mixwit! The interface for this “mix tape” making web app is a joy to work with. I can’t wait to get some of my other cohorts in on this, because I’d like to make this a regular blog feature. I have always enjoyed making mix tapes and cds for friends. It was always a very involved and heartfelt process. There’s something about music that speaks directly to the heart, and sharing your favorite music is a really good way to give people insight into who you are and how you think. (Which is why differences in music are so often dealbreakers in otherwise perfectly legit relationships, I think. Although I know that it’s not always the case. You’re a lil bit country, I’m a lil bit rock’n'roll, etc etc.)
J-Dilla, also known as Jay Dee, is widely regarded in the hip-hop community to be one of the most innovative producers ever to grace the turntables. Known as a “producer’s producer,” Dilla’s work was so highly esteemed that many of the biggest and most important names in hip-hop (like Common, Talib Kweli, ?uestlove, Erykah Badu, A Tribe Called Quest and Madlib) looked to him not only for inspiration, but for actual production work on what ended up being some of their most accomplished albums to date.
J-Dilla was also one of the first to release entire albums of sample-heavy, instrumental work, which incidentally is how he ended up collaborating with another master of the genre: Madlib. Madlib had been extremely impressed with Dilla’s innovative style and couldn’t help himself but to play with some beats for inspiration. The compliment didn’t escape Dilla and this initial meeting led to the creation of the now somewhat legendary JayLib.
Part of what makes their album, Champion Sound (2003), so distinctive stems from the way it was recorded. The duo met only once during the making, and the rest of the album was recorded by sending beats and vocals back and fourth. The collaboration ended with half of the album consisting of Dilla beats with Madlib’s vocals and the other half Madlib beats with Dilla’s vocals. I hesitate to call the final vibe earthy but for lack of a better word, it does feel somewhat organic in that there is nothing forced about the way these two artists blend their individual styles.
Dilla was a pioneer in blending hip-hop with a kind of neo-soul music that brought to life both genres and infused the result with a little bit of jazz, funk and a personal touch that can only be described as heart.
I think I mentioned once before that I’m not dreadfully astute when it comes to the world of hip-hop, mainstream, underground, or otherwise. I fibbed a little there. I am a budding fan of what’s been dubbed as “nerdcore”. While I’m sure anyone familiar with nerdcore has heard the name MC Chris (and possibly controversy surrounding his involvement with the term/movement nerdcore), I’m not as sure you’ve heard this spacey, minimalist remix of his better known track: Fett’s ‘Vette. N8ur also did a pretty sweet job remixing MC Chris’ Tractor Beam.
For more on MC Chris, check out his Slashdot interview, or really any of the resources listed at the bottom of the wiki page. Also, be sure to let n8ur know what you think of the remixes!
You’ll you either love or hate Atmosphere. As it’s known today, the group consists of producer Anthony Davis and lyricist Sean Daily or “Slug.” The moniker is telling in that his lyrics often center on a Dave Eggers’ like self-awareness that generally morphs not so subtly into a masochism with which we’re all familiar. The music is grimy, emotional and very real.
A self-described “white boy from Minnesota,” you won’t hear Slug rhyming about any ghettoes or hard-knocks. Rather he’ll speak to you about heartbreak and self-loathing in a way that often hits a little too close to home. The melodic but sometimes raw-edged beats make the perfect complement in that they evoke a broken emotional state infused with a touch of self-conscious irony.
I realize that, thus far, I’ve given you little reason to want to subject yourself to his sometimes wrenching commentary, and the more I think about it, I’ve got little to say on that topic except: Trust Me.
You’ll laugh, you’ll cry (um, that’s true only if you’re as emotionally fragile as I am) you’ll crank it up and let Slug articulate all the bullshit that you can’t seem to get out. (”All she wanted was a little bit of solid.”) Okay, well, this is getting a little personal here; but I guess that speaks to exactly why I love Atmosphere so much. Slug reminds me of a particular ex-boyfriend: drunk, manipulative but oh so soulful. [And everyone in his life would mistake it as love.]
Some of my favorite lyrics:
Fuck You Lucy:
And I travel with feels so I can deal with touch/ It’s like that/ Thank you very much/ Fuck you very much/ And everyone in his life would mistake it as love.
Little Man:
I know there’s gotta be something kickin’ your bruises/ How’s the love? How’s the music? How’s the self-abusiveness?
A girl named Hope:
And that’s the sound that a dog will make /When he’s just been hit by a car.
The Woman With The Tattooed Hands:
There’s good and evil in each individual fire/ identifies needs and feeds our desires/ as long as we keep our spirit inspired/ she can bite her bottom lip all she wants.
My favorite albums are: God Loves Ugly, Seven’s Travels and You Can’t Imagine How Much Fun We’re Having. Check them out!
This guy is a genius. He’s a musical prodigy. He’s got more than 13 aliases, each allowing for a metamorphosis of character and style that is stunning in its diversity. He’s a composer, a drummer, a DJ, a jazz musician, a beat-maker, a lyricist, a producer and one of the most original minds in music, not just today, but ever. In 2003 he told Mugshot Magazine that he considers himself a “DJ first, producer second and MC last,” but in limiting himself to those three categories he is either extremely modest, self-deluded, or high as shit.
While he might be most well known for his quirky pseudonym, Quasimoto, this funky and often psychedelic form of hip-hop does not even begin to define Madlib’s complicated aesthetic. Of course, that might be because Madlib’s aesthetic defies definition. It is a relative abstraction based on the character he is embodying, and is anything but static. The son of a jazz and soul musician, Madlib has been a pioneer in blending the genres with an understated hip-hop that is a fresh take on all three.
Search for Yesterday’s New Quintet, The Beat Konducta, Quasimoto, DJ Rels, Ahmad Miller, Monk Hughes, Malik Flavors, Joe Mcdurphy, Monk Hughes and the Outer Realm, The Joe McDurphy Experience or Astro Black and all will bring you back to Otis Jackson Jr.- Madlib.
From 2002’s “Blunted in the Bomb-shelter,” a remixed dub of old reggae beats infused with a touch of ska, to 2004’s “Madvillany,” a collaboration with another bizarre genius of sorts, MF DOOM, Madlib is well recognized within the hip-hop community to be an innovator in changing the way we think of the genre.
Check out: Mind Fusion Vols. 1-3, Blunted in the Bomb-shelter, Beat Konducta Vols. 1-4 (India, his most recent, is a subtle fusion of traditional Indian music with modern beat-making techniques), Yesterday’s New Quintet and Sound Directions: The Funky Side of Life, for just a taste of what this guy’s got up his sleeve.
Blender magazine recently named rapper Common #36 on its “The 40 Worst Lyricists in Rock.” Not that Blender ever held much credibility for me, but this atrocity is enough to discount anything the magazine will ever say again. Among others included on this list: Jim Morrison in at #10, Ian Anderson at #18, Robert Plant at #23, KRS-One at #25, Paul McCartney at #38 and Billy Corgan ranking in at #39.
I get it. Oohh how controversial of you Blender. Their rationale for naming Common #36: “Never Trust a Rapper in a Sweater Vest.” Because, that’s what we judge musical quality on these days. Let’s be serious for a minute here: a sweater vest? Who does this guy think he is? Black people aren’t supposed to wear sweater vests! Why, Common’s just a white guy in blackface!
Now I get it.
Poor disillusioned Blender. As proof of Common’s “earnest neo-soul thoughts,” they quote his “worst lyric ever” from the track “Making a Name for Ourselves.” It’s a fun, upbeat track and somewhat removed from most of what Common generally raps about. The verse, “I’m your worst nightmare squared/That’s double for niggas who ain’t mathematically aware,” does not necessarily evoke the “earnest neo-soul thoughts” they seem to have a problem with. Way to back up your claims, guys. Worse still: The verse happens to be split between Common and Canibus, who is the guest rapper on the track. If you’re going to make bogus, unfounded claims, at least get your bullshit straight.
This crap got me thinking. There are so many voices in hip-hop that are underrated, misunderstood or simply unknown. Now, I’m not saying that Common is any of the above. He’s won numerous awards for his music and lyricism. He’s pretty mainstream and certainly well loved. But I’m sick of real hip-hop (No Lil’ Bow Wow here) not getting the credit it deserves in the musical world. I don’t purport to be an expert on the genre. Not even close. However, I love hip-hop. I want to share some of my favorites with the hope that you’ll [ignore anything Blender Magazine ever has to say] check them out yourself.
Synopsis of totals available behind the cut:
Radio Rock: 1
Country: 2
Psychobilly: 1 (I would like to see Unknown Hinson in either country or Psychobilly. He’s great, you should google him and check it out!)
Pop: NA
Emo: NA
Original Emo: NA
Ambient: 0
Chillout: 5
Indie: 5
Metal: 0
Metalcore: 0
Hardcore: 0
Post Hardcore: 2
Grindcore: 0
Doom / Sludge / Experimental: 0
Powerpop: 2
Punk: 1
Pop Punk: 1
Street Punk: 0
Crust Punk: 1
Rap: 0
Hip-hop: 4
Ska: 0
Classic Rock: 12
90’s Alternative: 6
Industrial: 2
Electroclash: 2
Electronica: 2
My heritage wins out overall. If any bands are missing from my listening loop, please, fill me in! I really only checked off artists I either have albums for, or have a strong familiarity with. Which means there are several in these categories that I “sort of” know, but not enough to stand behind them for the purposes of this survey. Read the rest of this entry »
Some kids play in the sandbox. We play in the.... litterbox??? The RKNet staff is pleased that you decided to stop by. Currently this is a 1 author project, with periodic guest posts. Contact giania [at symbol] gmail.com if you'd like to play here to.
